A SPELL FOR MAY

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a cyanotype of a river bank
Unknown Artist, 19th Century On Upper St. John River SC 2017.22.47.

What does the light want?
More of its kind?
Yes.
Yes and
a wish to disturb the dark.

   -- from Kimiko Hahn, Respledent Slug

A river is a strange thing. It invariably harbors a quality of menace that can make your hair stand on end. Even on clear days, when the water flowed smoothly and the sunlight glinted off the shallows and made the plants on the bank sparkle, I always felt that the river was somehow connected to something dark, deep, and frightening.

   -- from banana yoshimoto & Asa Yoneda, not warm at all

a painting of a wild boar coming out of a mountain tree
a painting by aoi nagasawa

ELECTRIC SHAMANS

LINGERING WITH THE LIGHT

  1. praise to spring which crosses the sea like a seam ripper; wherever its breath mists, the earth turns loose.
  2. an apparition dressed in silk, cross-weaves the golden threads of dusk against the blue weft of night.
  3. trees are good dancers. they dance to the music of the wind and light in different ways, according to different tempos. their foliage move according to their own arboreal rhythm. it is the same music that moves them differently.
  4. i collect listings of vintage lanterns. hurricane lanterns, railroad lanterns, coalmine lanterns, nautical lanterns, you name it, i have a seller's listing bookmarked on eBay. i am not particular about a time-period either, a lantern only need be powered by a non-electric source and shaped with metal for it to grab my longing. i collect listings so far, as i do not yet have the means nor the space to purchase and display a collection. my collection remains purely aspirational.
  5. i spent a majority of my childhood in relative dimness. one of the earliest smells i learnt to identify was the smell of kerosene as it was the cheapest source of fuel around. electricity happened to us about as often as lightening struck. we learnt to see in the dark, aided by dancing flame of a sole candle or a kerosene hurricane lantern. if we were economical enough, one full tank of keresene could last us one whole week. our hurricane lantern was hunter green once. it's coating had long since peeled to reveal the gunmetal steel frame beneath. the transparent glass globe that cradled its wicked flame had caramelised from years of reliable use.
  6. when my cousin and i grew old enough to carry the lantern without glass shattering, we were given the dual task of cleaning and refilling the lantern. we were also old enough to compromise, so we took turns on the task we were responsible for each week. if i cleaned the lantern one week, she refilled the tank with kerosene. If she cleaned that week, then i refilled. cleaning the lantern was a delicate task that required both technical know-how and nimble handling. before taking a soapy rag to it, the lantern had to be dissembled down to it's smaller components. first, the metal knob sealing the kerosene tank was unscrewed, and the left over keresone was emptied out into a dedicated bowl. next, the latch on the metal hatch on top would be pulled up to release the glass globe from it's secured position. all of the pieces would be arranged in a line then cleaned one by one with the soapy rag before being left to dry in the sun. afterwards, with the same careful handling, we would put the dissembled pieces of the lantern in the right order, change out the wick and refill the tank with new kerosene.
  7. i take good care not to find myself caught in the full glare of a light. it only leaves me in a foul mood. i can only behold it from the shade of a shore. when it is dressed dimly or clouded by fog. when it is dipped in amber or blotted with paper. or when it is dappled by leaves or planed by shadows. there are some things you can only understand when you escape its orbit.
in this ethereal painting, a forest is formed from the blood of a dead bear
a painting by aoi nagasawa

CYBERSPACE CRUISIN'

space adventures during the great web implosion

electric shamans - the black zones of detroit, durban and yopougon:

when a shiny new tool is ordered into the universe, the questions on all our black lips are: can it sing though? can it dance? will it call down the ancestors? if the tool can do neither then it is understood that it cannot do much. black ones awakened to the alchemy of sound begin to rise to the unspoken challenge: to free music from the throats of the most songless machines. Like the sizzle after a hiss, what we hear as genre is the faint afterimage captured long after these fleeting black sonic feelings expire. during our orbit this month, we met three sound scribes lifting the veil on three black zones.

a video series on the detroit music scene called living for the city, narrated by Hanif Abduqarrib

a vice documentary on gqom raves organized by underground duban taxi crews

an ARTE documentary on Biama, a musical and dance style from Yopougan

in the world of shadows: the art of ami yamashiro & aoi nagasawa

bird bird's youtube channel has an interview series, ART TO TALK, that focues on visiting artists in their studios to explore the wellsprings of their creativity and the kinds of thoughts they pour into their work. the conversations are illuminating, down-to-earth and artist-led. their approach focusing on the quality of the conversation and the actual process of making rather than the signification or reception of the art itself won us over. watching the interviews strengthens our conviction that there are so many people out there modelling ways to talk about art in deeply human, non-hierarchical and non-jingoistic ways. the conversations with ami yamashiro & aoi nagasawa are so startling and generous in their depth and expansiveness.

🌑
did you know: that you can see the moon during the day? on a trip to the doctors one day in june, i looked up to the noon sky and saw the moon. because i had never actually seen a daytime moon before and so i got curious about the phenomena. according to BBC sky at night magazine, "just like stars and planets, the Moon is there in the daytime too, moving within the celestial dome." On a NASA podcast, Tricia Talbert writes that "During a full Moon, the Moon is opposite the Sun in the sky. That’s why we can see the full face of the Moon reflecting sunlight. As the Earth rotates, the Moon rises just as the Sun sets, but just on that one day of the month."

M:USICAL DREAMS

fantasies of a music nerd

isaiah rashad x omah lay

omah lay and isaiah rashad encounters in the music industry wrenches a similar twinge of deep sympathy and protectiveness within me. it is not just the rampant biphobia they have both encountered at different points in their career that bring their similarity to mind. both were relatively young, countryside boys when their debut projects catapulted them into stardom and they both struggled to find their footing in industries rife with betrayal, duplicity and exploitation. both have had a particularly difficult time navigating media visibility and after several brushes with vicious paparazzi, they have both become increasingly isolated and paranoid leaning on substances to manage the crippling anxiety and helplessness. i do think with this latest release, it's been awful, Rashad seems to be coming to terms with his addiction, shame and bigotry and is reaching for something different. omah lay hasn't quite landed there yet on Clarity of Mind. both albums are melodically desperate, searching and hauntingly groovy. I think they have a lot in common and through music, I hope they become an honest mirror for each other.

official music video for isaiah rashad's do i look high ft. julian sintonia

omah lay performing his single "don't love me" on the colors show

Muzi x Zoe Modiga x Msaki x Bongeziwe Mabandla

Muzi fed the dancing beast within with his latest album, Electric Zululand. one word: sublime. we have had it on rotation since it dropped. it is pure groove. i do not believe in always trying to render something inexpressible into words. i think the album needs to be experienced as a whole. it is a mystical homage to sound. Muzi has released the visuals for the track with Zoe Modiga; a hair raising album opening and Zilande, a bacardi groove.

music video for Uhlanga performed by Muzi and Zoe Modiga

music video for Zilande perfomed by Muzi

Genesis Owusu x Saul Williams

we like it whenever an artist decides the times are urgent enough to abandon metaphor and their arsenal of symbolic imagery to speak plainly. a lot of artists are loathe to surrender their desire for timeless, sanitized lyricism to write music that is angry, pithy and specific to the times they are music in. (there is a conversation nested here about why musicians feel like music need to be scrubbed of temporal specificity or shrouded in ambiguity in order to be timeless.) Genesis Owusu does in his latest album, REDSTAR WU & THE WORLDWIDE SCOURGE. in many ways, the album reminds us of Saul Williams second self titled studio album, SAUL WILLIAMS. written almost twenty years apart, thematic urgency, emotional resemblance, lyrical resonances are uncanny to hear. just listen to pirate radio and list of demands (reparations) together.


a visualizer for the song pirate radio

an audio track for list of demands (reparations)

FULL-MOON MEDIA

shiny bits of visual flotsam bread-crumbing for our attention during our orbit

  1. Yoko Tawada - Suggested in the Stars: i am sat for where-ever Tawada wants to take me in this second installation. love that we getting to meet new characters who have their own funky language and getting to know about the sinister von Trier hospital.
  2. Saou Ichikawa & Polly Barton - Hunchback: hilarious and unsettling in equal measure. Shaka is hella messy and hella real. everyone including Shaka is dreaming up fantasies of themselves and other people. isolation makes monsters of us all.
  3. Somatou - Shadow's House: so much grooming, drugging and isolating. our guess is that the shadow nobles orchestrated this macabre face experiment as a misguided attempt to secure their own futurity in a world where their existence is fragile at best.
  4. Mona Fastvold - The Testament of Ann Lee: the music could have been better in some places but the performance of shaker religion brought out goosebumps. much ado about sex, indeed! we do not often see films show the tempestuous fissures that led to the different christian splinters.
  5. Janice Hardlow - The Other Bennet Sister: it was cute and all but for a story written in 2020, it could have pushed hard for a life for our main girl that didn't have her doing the classic love triangle plot-line.
  6. James Ivory - A Room with a View: Helena Bonham Carter is practically cherubic in this. the brits do dearly love their romantic (e)scapes peopled with savage other who both repel and save them from their stuffy lives. it ended up being inadvertently funny.
  7. PieceWork - Summer 2026: this issue is all about the enduring relevance of indigo dye and blue fabrics across time and cultures. some american nationalism that is hard to stomach but oh well, we can't have it all.
  8. Akinola Davis Jr. - My Father's Shadow: "Everything is sacrifice. One should just pray that you don't sacrifice the wrong thing." ugh, the line did something forr us. i wanna rewatch it in the company of older nigerians.
  9. Kristoffer Borgli - The Drama: edgelord, sensationalist drivel created mostly to ragebait and stir up controversy. doesn't have anything real to say either about gun violence or anything it wants to have a conversation about, but every character is hollow enough for audience to slot themselves into. it's real crime is that for a comedy, it is NOT funny.
  10. Gore Verbinski - Good Luck, Have Fun, Don't Die: Lorde, not another, transhumanist, AI singularity film conceived and executed so sloppily. white filmmakers either develop an actual materialist view of technlogy or redistribute resources to people who have actual things to say. this did not have any business going on for as long as it did. Zazie Beetz, what's going on girl?
  11. Nicholas' Fantastic Summer: there is something so early 2000s about this cartoon series even though we think it was adapted recently. the format of the episodes and animation lines reminded me of the french cartoons we grew up watching.
  12. Julia Pott - Summer Camp Island S3&4: i actually think these series perhaps more than any other inherited adventure time's wacky sense of humor and world-building. the animation style is so cozy and it has adorable characters: pepper the cloud-panda, the yetis and the aliens
  13. Weather Hunters - learning about weather with a meteorologically-inclined black family in a black neighbourhood? inject it into my bloodstream.
  14. Sabrina Imbler - How far the light reaches: only two chapters in so far but have come to realize this kinds of nature or science writing may be my least favorite kind. so much juxtaposition and parallels being drawn that feels overwrought and narrative serving. more a memoir than what we thought going in.
  15. Banana Yoshimoto & Asa Yoneda - dead-end memories: Yoshimoto & Yoneda have a startling and gentle way of writing the essence of particular and fleeting moments of life. The notes on light from not warm at all keep looping our head.
  16. Mayra Zarif & Andre Kadri - Dounia S1 & 2: beautiful animation, voice acting and heartwarming relevant story. neo-liberal in it's resolutions in the way things out of Canada can be
  17. Caroline Adderson - Sunny Days Inside & other stories: this was a pleasant find from the Toronto public library about kids in an apartment complex during the lock down.
  18. Olga Tokarczuk & Antonia Lloyd-Jones -Drive your plow over the bones of the dead: four chapters in and i adore the astrologer's signification of words and their meaning. her rogue use of capitalization and clever nesting of the chapter titles in the winding tangents she goes on.
a humpback whale breaching the surface and back-flipping back into the water
                                                    in orbit,
                                                    eegunjobi

a glossary for spells

a guide for reading

🛸cyberspace cruisin'🛸

part of the heady pleasure of falling in love with something is sharing it with people. we want our love for blogs to bleed into these sprawling missives we send out monthly so this little corner will be where we share blogs we stumbled on that had us visiting almost daily throughout the month. these are mini-universes onto themselves and we hope that they morph into portals for to other people to slide down one lazy afternoon. sometimes, it is a small inflect to remember the ephemeral lives of these blogs.

💡did you know💡

is intended and used as a kind of section break in these monthly missives to introduce new information we stumbled into each month that we previously did not know. When we were a child, we remember loving these random unexpected bits of information that would come into our known orbital world about things we did not know, previously took for granted and/or simply never had the time to pursue with attention. that feeling of wonder-awe at all the things we did not know and the unknowable non-limits of the world that sizzled in those moments would continue to lure us past our teenage years when even admitting you did not know something was seen as the most uncool thing.

🌘full-moon media🌒

like the moon, each new spell is uploaded approximately 30 days from the last one, some months take longer. this is the pace that feels most compatible for our energy levels. included in this section are the different cinematic, written or animated media that we either started, continued or completed during our orbit. these aren't really recommendations or reviews or anything of the sort. at most they are two liner notes of hypertexts we are currently orbiting at any given month. Shiny bits of visual flotsam breadcrumbing for our attention.

🎐musical dreams🎐

is this musical nerd's version of sailing a wish lantern. the ships sailed are magical collaborations we wish to happen in our lifetime. these are musical bells we can hear, imagine striking a sonic chord with each other. it is an avid wish that we write into paper boats and sail into the sonic void. we hope that these artists, or sonic alchemists, find each other, record and or re-interpret moar and moar beautiful music that they will then share with the rest of the world. some of these wishes have already happened.